The Myth of Sisyphus
Sisyphus by Franz von Stuck |
The great American writer
Mark Twain once remarked ‘The world owes you nothing; it was here first’. This
witty remark was made to combat the notion that one’s mere existence makes us entitled. A silly concept but one whose allure
everyone surely has at times felt. It is bred into the human species for each
individual to be solipsistic and egotistic for these traits carry with them
selective advantages. The ember of this stamp of our lowly origins is roused by
the cult of over exaggerated individualism, where everyone is led to believe he
or she is special and unique; two very ambivalent adjectives at best if one
pauses to think.
However, the ideology that best exploits this inbuilt weakness in the human nature is religion, or specifically the eschatological aspect of religions – where humans who subscribe to certain dogmas are said not only to be favoured and loved, but are also promised transcendence over that ultimate shared reality – death. Hence religion’s eternal appeal; as Freud pointed out in his The Future of An Illusion, religion will exist so long as men fear death. As the (as far as we know) only species on Earth who foresees that death is the final destination, to seek ways to escape it, a chance to transcend death is only natural and is indeed the carrot dangled on a stick of virtually all religions. So eager are we to be an exception to the subject of expiration that we grasp at any straw, no matter how frivolous or lacking in evidence, in the hope that death might pass us by.
However, there are those who have rejected the false consolation of religion and have chosen to accept death as the inevitable and inescapable endpoint of life. “I shall rot” was the terse answer of the philosopher Bertrand Russell when asked what he thinks will happen to him after death. Granted this, how then to deal with this sobering and melancholy burden of expecting the inevitable in the seemingly aimless flux that is life is the object of Camus’s Myth of Sisyphus. His antidote? – embrace the absurd.
However, the ideology that best exploits this inbuilt weakness in the human nature is religion, or specifically the eschatological aspect of religions – where humans who subscribe to certain dogmas are said not only to be favoured and loved, but are also promised transcendence over that ultimate shared reality – death. Hence religion’s eternal appeal; as Freud pointed out in his The Future of An Illusion, religion will exist so long as men fear death. As the (as far as we know) only species on Earth who foresees that death is the final destination, to seek ways to escape it, a chance to transcend death is only natural and is indeed the carrot dangled on a stick of virtually all religions. So eager are we to be an exception to the subject of expiration that we grasp at any straw, no matter how frivolous or lacking in evidence, in the hope that death might pass us by.
However, there are those who have rejected the false consolation of religion and have chosen to accept death as the inevitable and inescapable endpoint of life. “I shall rot” was the terse answer of the philosopher Bertrand Russell when asked what he thinks will happen to him after death. Granted this, how then to deal with this sobering and melancholy burden of expecting the inevitable in the seemingly aimless flux that is life is the object of Camus’s Myth of Sisyphus. His antidote? – embrace the absurd.
Life and death is the
ultimate duality. At the moment of birth one is hurtling towards death. It is
the fate all men and women, saint or scoundrel have or will have shared. Or as
Horace more eloquently put it ‘Pale
Death with impartial tread beats at the poor man's cottage door and at the
palaces of kings’. It is therefore the
great subject of philosophy and art. Philip Larkin, perhaps the least
sentimental of poets, captured beautifully in his Aubade the poignancy of honest
contemplation of death:
The sure
extinction that we travel to
And shall
be lost in always. Not to be here,
Not to be
anywhere,
And soon;
nothing more terrible, nothing more true.
This is a
special way of being afraid
No trick
dispels. Religion used to try,
That vast
moth-eaten musical brocade
Created to
pretend we never die,
And
specious stuff that says No rational being
Can
fear a thing it will not feel, not
seeing
That this
is what we fear—no sight, no sound,
No touch
or taste or smell, nothing to think with,
Nothing to
love or link with,
The
anaesthetic from which none come round.
In it he dispelled the noble
but rather unattainable notion encapsulated by that great philosopher
Epicurus’s defiant declaration: ‘non fui, fui, non sum, non curo’ (I was not, I
was, I am not, I care not). It is something of a non sequitur to say one does
not fear the time before one’s birth. But to have existed, to have acquired the
ability to contemplate and extrapolate ourselves into the future and stare into
the abyss of death, that cavernous, mysterious, menacing darkness, and to do so
with equanimity is asking something that’s seemingly impossible.
For one who is convinced that death is the ultimate end, the question
then is: what is the point of life? Camus begins his dissertation with the
piquant statement ‘There is but one truly serious philosophical problem and
that is suicide.’ If life is only a
brief spark, possibly and probably filled with grief, melancholy, sorrow and
despair, devoid of meaning and rudderless, only to be followed by demise; can
you blame someone, upon realising this, to adopt the escape
route to arrive prematurely at the inevitable comfort of the eternal sleep? As
about a million people die of suicide each year, self-slaughter has been a
subject of intense interest in psychology and literature. The vacillation
between life and death is perhaps best captured by Shakespeare in Hamlet’s
famous soliloquy.
To be, or not to be,
that is the question—
Whether 'tis Nobler in the mind to suffer
The Slings and Arrows of outrageous Fortune,
Or to take Arms against a Sea of troubles,
And by opposing end them? To die, to sleep—
No more; and by a sleep, to say we end
The Heart-ache, and the thousand Natural shocks
That Flesh is heir to? 'Tis a consummation
Devoutly to be wished. To die, to sleep,
To sleep, perchance to Dream; Aye, there's the rub,
For in that sleep of death, what dreams may come,
When we have shuffled off this mortal coil,
Must give us pause.
Whether 'tis Nobler in the mind to suffer
The Slings and Arrows of outrageous Fortune,
Or to take Arms against a Sea of troubles,
And by opposing end them? To die, to sleep—
No more; and by a sleep, to say we end
The Heart-ache, and the thousand Natural shocks
That Flesh is heir to? 'Tis a consummation
Devoutly to be wished. To die, to sleep,
To sleep, perchance to Dream; Aye, there's the rub,
For in that sleep of death, what dreams may come,
When we have shuffled off this mortal coil,
Must give us pause.
Caught between the vice of a meaningless and absurd existence and the
terror of death and unable to take the leap of faith and succumb to the easy but baselessness of religion (an escape offered by Kierkegaard but which Camus calls
‘philosophical suicide’), how does one find meaning in life? Camus’s resolution
– accept the absurd and live in revolt against it.
Camus writes that with the realisation and acceptance of the fact that life is devoid of absolutes and meaning, what we achieve then is absolute freedom. Our very existence will then be an act of rebellion. Unshackled, we are able to think for ourselves and make our own meanings. While the search for an underlying meaning or purpose may be a doomed expedition, the struggle, the journey itself and the fruits we gain should be rewarding enough.
Hence Sisyphus, the king of Ephyra, cursed by the gods for his deceitfulness to forever push a large boulder up a hill only to watch it roll back down, and compelled to repeat this fruitless labour for eternity. As a somber metaphor of life, we are all Sisyphus. Camus ends his book by concluding: ‘One must imagine Sisyphus happy’. A flinty and stoic sentiment tinged with the wry smile of irony. This idea somewhat foreshadowed by the Roman emperor and Stoic philosopher Marcus Aurelius, who wrote that ‘Death smiles at us all, all a man can do is smile back’.
Camus writes that with the realisation and acceptance of the fact that life is devoid of absolutes and meaning, what we achieve then is absolute freedom. Our very existence will then be an act of rebellion. Unshackled, we are able to think for ourselves and make our own meanings. While the search for an underlying meaning or purpose may be a doomed expedition, the struggle, the journey itself and the fruits we gain should be rewarding enough.
Hence Sisyphus, the king of Ephyra, cursed by the gods for his deceitfulness to forever push a large boulder up a hill only to watch it roll back down, and compelled to repeat this fruitless labour for eternity. As a somber metaphor of life, we are all Sisyphus. Camus ends his book by concluding: ‘One must imagine Sisyphus happy’. A flinty and stoic sentiment tinged with the wry smile of irony. This idea somewhat foreshadowed by the Roman emperor and Stoic philosopher Marcus Aurelius, who wrote that ‘Death smiles at us all, all a man can do is smile back’.
A rather uninviting and rocky road, you might think; not a path strewn with
flowers. Well, not necessarily. Some bulwarks against the blues are irony and
humour. As the great novelist Kingsley Amis wrote, on the silver lining of this heavy subject:
Death has this much to be said for it,
You don’t have to get out of bed for it.
Where ever you happen to be,
They bring it to you – free.
You don’t have to get out of bed for it.
Where ever you happen to be,
They bring it to you – free.
Or as Monty Python offered in their immortal song Always Look on the Bright
Side of Life:
For life is quite
absurd
And death's the final word
You must always face the curtain with a bow
Forget about your sin
Give the audience a grin
Enjoy it, it's your last chance anyhow
And death's the final word
You must always face the curtain with a bow
Forget about your sin
Give the audience a grin
Enjoy it, it's your last chance anyhow
To appreciate irony can not only turn the sour grapes of life into wine
but will help you see things without illusions, without solipsism and to
realise that a life that partakes in only some of the myriad of worthy things
on offer in the smorgasbord of existence: love, friendship, parenthood,
literature and humour, cannot be called meaningless.
The journalist and essayist Christopher Hitchens, debating a fatuous and
overbearing William Dembski whilst suffering stage four cancer which eventually
took his life, summed up his life’s philosophy and his appreciation for the
absurd beautifully:
“…when Socrates was sentenced to death for his
philosophical investigations, and for blasphemy for challenging the gods of the
city — and he accepted his death — he did say, well, if we are lucky, perhaps
I’ll be able to hold conversation with other great thinkers and philosophers
and doubters too. In other words the discussion about what is good, what is
beautiful, what is noble, what is pure, and what is true could always go on.
Why is that important, why would I like to do that? Because that’s the only conversation worth having. And whether it goes on or not after I die, I don’t know. But I do know that that’s the conversation I want to have while I’m still alive. Which means that to me, the offer of certainty, the offer of complete security, the offer of an impermeable faith that can’t give way, is an offer of something not worth having. I want to live my life taking the risk all the time that I don’t know anything like enough yet; that I haven’t understood enough; that I can’t know enough; that I’m always hungrily operating on the margins of a potentially great harvest of future knowledge and wisdom. I wouldn’t have it any other way.
And I’d urge you to look at those people who tell you, at your age, that you’re dead till you believe as they do — what a terrible thing to be telling to children! And that you can only live by accepting an absolute authority — don’t think of that as a gift. Think of it as a poisoned chalice. Push it aside however tempting it is. Take the risk of thinking for yourself. Much more happiness, truth, beauty, and wisdom will come to you that way.”
Why is that important, why would I like to do that? Because that’s the only conversation worth having. And whether it goes on or not after I die, I don’t know. But I do know that that’s the conversation I want to have while I’m still alive. Which means that to me, the offer of certainty, the offer of complete security, the offer of an impermeable faith that can’t give way, is an offer of something not worth having. I want to live my life taking the risk all the time that I don’t know anything like enough yet; that I haven’t understood enough; that I can’t know enough; that I’m always hungrily operating on the margins of a potentially great harvest of future knowledge and wisdom. I wouldn’t have it any other way.
And I’d urge you to look at those people who tell you, at your age, that you’re dead till you believe as they do — what a terrible thing to be telling to children! And that you can only live by accepting an absolute authority — don’t think of that as a gift. Think of it as a poisoned chalice. Push it aside however tempting it is. Take the risk of thinking for yourself. Much more happiness, truth, beauty, and wisdom will come to you that way.”
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