P G Wodehouse - prose of sunlight





Wodehouse (Pelham Grenville, or Plum to his friends) is the quintessential English humourist writer. 

A self admitted author of ‘light writing’, Wodehouse novels are like a spring breeze that invigorates and soothes the soul. As put by Stephen Fry, who played the TV version of Jeeves in the famous and definitive adaptation with his pal Hugh Laurie (Dr House), ‘You don’t analyse such sun-lit perfection. You just bask in its warmth and splendour.’

Jeeves and Wooster as played by Hugh Laurie and Stephen Fry


Unlike most humourists such as the Amises and Tom Sharpe, Wodehouse refused to use two of the greatest weapons in a humourists arsenal – sex and death. It’s like asking me to write without using the letter ‘e’. Which would b a suicidal mov and a complt wast of tim…(Actually the French novel La disparition by Georges Perec notably contains no ‘e’ in the approved oulipo style of constrained writing). 

Despite this, Wodehouse still manages to rise to the apex of humour literature with his unequalled mastery of prose. Many modern writers bow warmly to his gift including Evelyn Waugh, Christopher Hitchens and Douglas Adams.

Hitchens wrote a great essay on McCrum's biography of Wodehouse in the Atlantic:

Having lived to the venerable age of 93 and living through the horrors of two world wars, Wodehouse’s writing remained entrenched in the golden era of English innocence, which can partly explain the appeal of his novels. 

His stories are set in an England where chivalry was high, a gentleman's word was his bond, and the feudal spirit lived on. He exuded a school-boyish tendency to be apolitical and naïve beyond belief. 

During Nazi Germany’s lightning assault across Belgium and France in 1940, Wodehouse, who remained living on the French coast instead of returning to England out of apparent unawareness of the seriousness of the situation, was taken prisoner. 

When he was interned at Upper Silesia, he remarked “If this is Upper Silesia, one wonders what Lower Silesia must be like…” The Nazi propagandists decided to use his fame as an author and playwright and asked him to give some ‘non-political’, humorous radio broadcasts. One of the opening paragraphs of his first broadcast contained the fantastic lines:

‘Young men, starting out in life, have often asked me, “How can I become an Internee?” Well, there are several methods. My own was to buy a villa in Le Touquet on the coast of France and stay there till the Germans came along. This is probably the best and simplest system. You buy the villa and the Germans do the rest.’

However, despite this brilliant dig that somehow got through the gauntlet of the German editorial censor, upon his release and return to England, he was branded a traitor and was savaged by the press and many authors, although Evelyn Waugh and George Orwell wrote in his defence. The heavy criticisms finally persuaded Wodehouse, the archetypal English man, to move to New York with his America-born wife.

For more on that episode, read Orwell's essay in defense of Wodehouse:

Continued to write stories set chiefly in English estates, Wodehouse was the creator of Jeeves and Wooster, Psmith, Blandings Castle and many other memorable characters, Wodehouse is a master of the simile. Some of my personal favourites are:

‘I once got engaged to his daughter Honoria, a ghastly dynamic exhibit who reads Nietzsche and had a laugh like waves breaking on a stern and rockbound coast’

‘His face looked pretty much like an explosion in a tomato cannery on a sunset evening.’

Bertie Wooster, who can tell when Jeeves is displeased, remarked ‘I could see that, if not actually disgruntled, he was far from being gruntled.’

‘He looked like a sheep with a secret sorrow.’

‘There’s no getting away from the fact that, if ever a man required watching, it’s Steggles. Machiavelli could have taken his correspondence course.’




The fundamental gist of all Wodehouse stories seem to run along the lines of: terrible calamity ensued due to unfortunate incidents, misunderstandings and unforseen circumstance which drops the hero or heroine into the abyss of despair, only to be solved by the end of the story via hilarious happenings and everyone lives happily ever after. 

My favourite hero under his pen, and indeed, one of my favourite in literature, is Bertie Wooster, the idiot with the heart of gold, who invariably gets into strife trying to help his friends only to have his omnipotent valet Jeeves save the day with a particularly cunning plan. 

All but one of the Jeeves and Wooster stories are told by Bertie in the first person. The humour is accentuated by the fact that despite Bertie being as thick as a whale omlette, he narrates the story in the most engaging and ingeneous fashion; itself a grand joke. 

In The Code of the Woosters, the eponymous code turns out to be ‘never let a pal down’, a code, despite many a set back and often against his better judgements, Bertie sticks to. Jeeves and Wooster remains one of the imperishable literary duos in history along side Holmes and Watson and Tom Sawyer and Huck Finn.

The well meaning Bertie, described by Jeeves as 'perhaps mentally somewhat negligible but he has a heart of gold'.


A fan of mysteries, Wodehouse dedicated a book to Edgar Wallace whilst Agatha Christie dedicated her Hallowe’en Party to Wodehouse “To P G Wodehouse – whose books and stories have brightened my life for many years. Also, to show my pleasure in his having been kind enough to tell me he enjoyed my books.” A wonderful tribute paid by one writer to another.


To read Wodehouse is to escape into a world of eternal spring and joy.  

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